James
Taris
FROM FANTASY TO HOLLYWOOD
How I performed my play
internationally without funding
Hi
James, I wanted to send you a copy of the article I wrote for our
local newsletter after seeing your play. I was so impressed with your
portrayal that I was really glad to have the opportunity to see it
more than once. The first time, at the Kitchener Public Library was
amazing! I loved the plot development, especially since each of the
monologues could probably stand on their own, but are knit together
so skillfully that the entire play has to be seen to be fully appreciated.
All of the performances, from the library to the business office to
the church were exactly as you'd billed them. When we received the
poster and had a look at your web-site, we had an idea of what was
in store, but once we'd had an opportunity to see the play, we were
thrilled that we'd decided to support your presentation of it. The
tone of the play is inspirational and humourous, with enough "meat"
to keep the audience captivated, and we are so pleased that we were
able to witness it! Thank you so much for sharing your "story"
with us. You are a skilled story-teller and your enthusiasm for each
character in the play is obvious. Bravo! Kit Anderson
REVIEW:
From the opening line of the play, James catches your
attention and doesn’t let go until the final, inspirational words
of this 80-minute one-man show.
Traditionally,
the words “comedic” and “inspirational” are not grouped together, but
in this context, it works wonderfully well. The play is upbeat and moves
quickly, as you see through the characters’ eyes from the initial dilemma
to the inspirational conclusion.
Each
character, from a modern-day accountant, to 6 of Greek history’s most
famous geniuses, comes alive in James’ portrayal of them. Observe the
transformation of the protagonist, Demi, from hopeless and desperate
to confident and inspired, as he is given the opportunity to see history
unfold in a series of flashbacks around the building of the Parthenon
in ancient Greece.
I
have seen the play on three separate occasions and in three different
venues and each time, I have been witness to the power of positive thinking.
The
first time was at a local public library, where one member of the audience
was so inspired, he requested that James perform the play for his sales
team, as he understood the value of being able to present the message
of believing in oneself.
The
second time I saw the play was at this same gentleman’s offices, where
James presented the play to a sales and marketing audience. After the
performance, many of the attendees commented on how much impact the
play had on them. One man mentioned that he could see how the play would
be beneficial to anyone who was stuck “thinking inside the box”. The
protagonist’s initial belief that he’s incapable of solving his company’s
problem is replaced by a confidence that “everything is possible, if
you truly believe”.
The
third time I saw the production was in a church sanctuary in Welland,
Ontario, to a mixed audience of young and old parishioners. The over-riding
consensus was that the play imparted a sense of hope and strength in
the midst of seemingly impossible circumstances.
I
would recommend this play to anyone and everyone who wants to have their
spirits lifted. Although loosely based on historical facts, the play’s
genuine philosophy is to inspire through overcoming adversity, a message
we all need to hear more often.
-
Kit Anderson is a Stephen Minister with Bethany Evangelical Missionary
Church, Kitchener, ON and Owner of Kit & Kaboodle Consulting, Kitchener,
ON. She is also a Member of the Board of Directors, Kitchener-Waterloo
Barterworks. A frequent contributor to our newsletter, Kit writes reviews
and commentaries on arts and drama events in the Kitchener-Waterloo-Cambridge
area.
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C
O N T E N T S
INTRODUCTION
– The Fantasy Begins
I
get hooked on theatre
A seed of greatness is planted
Andy’s fifteen minutes of fame
Ch.1
– Finding The Magic Ingredient To Write
How
I finally began writing
How I got inspired to write my play
What should I write about?
My first email to London theatres
Ch.2
– Facing My First Audience
Preparing
my props
My first reading in Athens
My second email to London theatres
Stricter than a Swede
Ch.3
– Polishing Up My Act
Learning
my lines
The daily rehearsal grind
Performing without a script
Filmed for Chinese TV
Getting tips from my audience
Ch.4
– Building Interest In My Play
Writing
my own promotional material
Promoting The Glory of Athens
Performing monologue segments
Toastmasters previews
Ch.5
– My Best Promoter
Welcome
to TheGloryOfAthens.com
Testimonials
Performance history
Ch.6
– Free Venues That Launched My Play
Lounge-room
theatre
Multi-night performances
My youngest fan
Ch.7
– Performing Anywhere And Everywhere
A
variety of venue types
Schools
Churches, halls, libraries and offices
Ch.8
– Finally On Stage
World
premier in Amsterdam
UK premier in London
Ch.9
– Miracles Do Happen
My
fairy godmother finds me
Father John
My Hollywood producer
Ch.10
– Hollywood Here I Am
Hollywood
here I come
Hollywood and Universal Studios
Lee Strasberg Theatre
Disneyland
Hellenic Views TV interview
The Glory of Athens in Hollywood |
James
Taris was only nine when he fantasised about becoming an actor,
but life got in the way and nothing happened for nearly forty
years. By chance he saw an amateur theatre play and was so
inspired to turn his childhood fantasy into reality that within
six weeks he had written The Glory of Athens,
a play that he performed twenty-nine times over the next twelve
months – in nine countries, on five continents –
while on a 400-day world tour.
In
this book, James goes into great detail explaining all the stages
he went through to write, promote,
produce and perform The
Glory of Athens, his debut playwriting effort. It
is an inspirational journey that will be enjoyed by budding writers
and readers alike.
Testimonials
During
the school holidays I had some time to read your book From
Fantasy to Hollywood. Through reading your book,
I had the opportunity to get to know and learn lots from you.
Actually, you're a dedicated and well-organised person. I agree
with lots of your points of view and very much appreciated how
you are very open to the reader. I admire your spirit of striving
to become a good writer. ... Lisa (Australia)
***
James
? Ghia sou! I told you I’d write. My name is Quentin, we
met after your presentation (great presentation if I may) at the
Cegep of Granby [College near Montreal,
Canada]. Just wanted to say, what you did and what you are doing
is marvelous. The way you brought your ideas with humour, «good»
humour as I call it, intelligent humour, is simply amazing. I’ve
been trying to write plays of my own, and I must say, I never
even came close to what you did! I hope everything is going well
for you, mustn’t be that easy to travel the way you do.
But keep it up, I think you shouldn't stop until everyone has
witnessed The Glory Of Athens! ... Quentin,
student at Cegep of Granby (Canada)
It
was our pleasure to host JamesTaris during November, 2003,
for 5 days. In that short but event packed period we came
to realise that James is very dedicated ... As a result, he
is consumed with a passion for showing people how, by assuming
active roles in life and learning and applying skills in innovative
ways, they also can achieve whatever they dream they could
achieve.
This
too is, I believe, the message which shines through the play he
has written and performed ... The theme of self- empowerment,
tempered by some very funny episodes, was very well received here
and captured our attention from start to finish.
The
irony is, of course, that James, pursuing his adventurous world
travels, is a living example of the hero, Odysseus, in his positive,
thought provoking play. Michael Loxton, Kingsbridge
LETS, Kingsbridge, Devon (England)
Below
you will find ...
PERFORMANCE
HISTORY
SAMPLE PAGES FROM EBOOK and BOOKS
|
Performance
History |
I
wrote The Glory Of Athens in June,
2003, while I was in Shanghai, China, at the beginning of my
400-Day World Tour. And I've since given quite a number of readings
and performances - in theatres, halls, offices and homes - to
the public and groups that have hosted me all over the world.
|
Date |
City/Country |
Solo/7
cast |
Reading/
Performance |
Venue
Type |
| Jul
17, 2003 |
Athens,
GREECE |
Solo |
Reading |
Outdoor |
| Jul
24, 2003 |
Helsinki,
FINLAND |
Solo |
Reading |
Loungeroom |
| Jul
28, 2003 |
Stockholm,
SWEDEN |
Solo |
Reading |
Loungeroom |
| Jul
30, 2003 |
Goteborg,
SWEDEN |
Solo |
Reading |
Loungeroom |
| Aug
26, 2003 |
Sisteron,
FRANCE |
Solo |
Performance |
Loungeroom |
| Sep
12, 2003 |
Bressuire,
FRANCE |
Solo |
Performance |
Hall |
| Sep
30, 2003 |
Amsterdam,
HOLLAND |
Solo |
Performance |
Theatre |
| Nov
9, 2003 |
Kingsbridge,
ENGLAND |
Solo |
Performance |
Hall |
| Nov
21, 2003 |
Bridgend,
WALES |
Solo |
Performance |
Loungeroom |
| Nov
24-25, 2003 |
London,
ENGLAND |
Solo |
Performance |
Theatre |
| Dec
14, 2003 |
Utrecht,
HOLLAND |
Solo |
Performance |
Loungeroom |
| Jan
9, 2004 |
Welland,
CANADA |
Solo |
Performance |
School |
| Jan
10, 2004 |
Welland,
CANADA |
Solo |
Performance |
Loungeroom |
| Jan
22, 2004 |
Kitchener,
CANADA |
Solo |
Performance |
Library |
| Jan
30, 2004 |
Welland,
CANADA |
Solo |
Performance |
Church |
| Feb
2, 2004 |
Kitchener,
CANADA |
Solo |
Performance |
Office |
| Mar
5-6, 2004 |
Montreal,
CANADA |
Solo |
Performance |
Loungeroom |
| Mar
7, 2004 |
Granby,
CANADA |
Solo |
Performance |
School |
| Apr
11-12, 2004 |
Kitchener,
CANADA |
Solo |
Performance |
Loungeroom |
| Apr
15, 2004 |
Ottawa,
CANADA |
Solo |
Performance |
Hall |
Apr
30 and
May1-2, 2004 |
Kitchener,
CANADA |
Solo |
Performance |
Loungeroom |
| May
17, 2004 |
San
Francisco, USA |
Solo |
Performance |
Loungeroom |
| May
22, 2004 |
Los
Angeles, USA |
Solo |
Performance |
Theatre |
| Jun
16, 2004 |
Brisbane,
AUSTRALIA |
Solo |
Reading |
Loungeroom |
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